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ary’s response to Gabriel’s mes-  The Composition of Her Song
                 sage and to Elisabeth’s blessing
                                                There are three sections, or movements,
        Mcame in the form of praise, or       within her beautiful hymn. Mary gives
        a song, as she was filled with wonder at
        the power of God. It reads like a handful   thanks for the blessings God brings (vv46-49),
        of the songs in the Psalter as well as that   the pattern God follows (vv50-53), and the
        of Hannah in 1 Samuel 2. Mary’s is the   covenant God keeps (vv54-55). She begins by
                                              offering praise for the blessings the Lord
        first song of the incarnation, and probably   has brought to her personally, then moves
        the greatest. Others would soon follow:   to praise God for always granting blessing
        the praise of Zacharias (Luk 1:67-79), the
        united praise of angels (2:13-14), and the   to “them that fear him from generation to
        blessing of Simeon (vv28-32).         generation” (v50), and finally exalts the Lord
                                              because He is always faithful to His promises,
          Not a few scholars have attributed the song   mentioning, in particular, what “he spake
        in Luke 1:46-56 to Elisabeth, based on a few   to our fathers, to Abraham, and to his seed”
        Latin manuscripts from the fourth to eighth   (v55). These promises were about to find their
        centuries, as well as one manuscript each   fulfillment in the Child within her womb.
        from Irenaeus and Origen.  However, verse 46
        attributes the song to Mary and preserves the   The Center of Her Song
        chiastic structure of Luke 1, which appears   The reason Mary’s song sounds like some
        as follows:                           of those within the Scriptures is because she
              a     Gabriel’s Message to Zacharias (1:5-25)  had saturated her mind with Scripture. In
                b  Gabriel’s Message to Mary (1:26-38)  fact, her song is almost entirely made up of
                b′  Song of Mary (1:46-56)    Old Testament quotations and allusions. In
             a′  Song of Zacharias (1:67-80)     just 10 verses, Mary refers to no less than
                                  2
          The song of Mary is often referred to   20 passages from Genesis, Deuteronomy,
        as The Magnificat, which is Latin for “My   1 Samuel, Isaiah, Micah, Habakkuk and,
        soul doth magnify” (1:46).   When we   particularly, the Psalms. How refreshing to
                                3
        magnify,  we  enlarge  upon  something.   meet with a young woman in her mid to late
        Mary  magnified  the  Lord,  expanding   teens who had spent so much time immersed
        and expounding His marvelous character   in Holy Scripture.
        and mighty acts. Let us notice, then, six   We might wonder, as Mary begins her
        things  about  Mary’s  marvelous  song.   song, if she is about to reveal anything new
                                              about her encounter with Gabriel or what
                                              it was like to be overshadowed by the Holy
        1  James R. Edwards, The Gospel According to Luke
        (Grand Rapids, MI: Wm. B. Eerdmans, 2015), 55.  Spirit. But we don’t really learn anything
        2  Adapted from Darrell L. Bock, Luke: Baker   new about Mary’s circumstances. She was
        Exegetical Commentary on the New Testament   more interested in telling us about her Lord.
        (Grand Rapids, MI: Baker Academic, 1996),   Although she does use the first-person
        1:145.
        3  Bible quotations in this article are from the KJV   singular pronoun, especially at the beginning
        unless otherwise noted.               of her song, her favorite pronoun is the third-

        370 TRUTH kTidings   December 2025
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